![]() We finish what we started.” And really, what else can Joel do but nod his agreement? Also? Bella freaking Ramsey, ladies and gentlemen. “I’ll follow you wherever you go,” she says. She acknowledges that he wants to protect her - and he HAS protected her - and the way she talks about their future, as though there’s no doubt that she’ll stick with him, is incredibly moving. “After everything we’ve been through, everything I’ve done, it can’t be for nothing,” she says. I just want you to know that,” he says, floating the idea of going back to Jackson, where they can “forget about the whole damn thing.” But she’s convinced this is her purpose. And while she’s happily witnessing the giraffe hangout, Joel brings up the risks involved with what could happen at the hospital. He’s very obviously THINKING THOUGHTS while watching her have a moment of pure joy.Įventually, the animal moves and she climbs to a terrace to watch it reunite with some of its friends. He rips off some leaves and hands them to her so she can feed it, and she giggles as the giraffe snacks on what she’s offering. When Joel eventually catches up to her on a high floor, he’s surprised to see a giraffe eating from a tree that’s grown into the structure. They eventually get to a building and are barely inside before Ellie starts scampering up levels like she’s in Super Mario Bros. “Yeah,” she says, smiling, “that’d be great.” When he calls her out later on her reticence, she says she’s fine. She reads the concern in his tone and replies with false happiness. When she’s slow to respond, his “Ellie” is so worried we’ve said it before, but damn, Pedro Pascal is so good in this role. He talks about how maybe they can find a guitar and he can teach her how to play. They’re on a highway full of stopped cars and with Ellie quieter than normal, Joel seems to have taken it upon himself to fill the verbal void. She’s quiet, she’s a little spaced-out, and Joel has to call her name several times before she realizes he’s talking to her. LOOK WHO’S TALKING | In the present-day, Ellie is not 100 percent herself after the worst afternoon ever spent at a steakhouse. Though Marlene initially refuses, she eventually hands the baby off to her companion and shoots Anna before the Cordyceps can turn her. “That’s why you pick her up right now, and then you kill me,” Anna replies. “How long have we known each other?” she asks. Marlene says no, crying, but Anna is resolute. She lies and says that she cut the cord before the attack, then instructs Marlene to bring Ellie to Boston and give her the knife. Anna explains that Ellie needs to eat she didn’t want to nurse her after she was bit. Marlene apologizes for being late, saying that they couldn’t get out of the QZ. ![]() When Marlene and a man get to the house, they find the woman - whose name is Anna - in the same spot. ![]() And now’s probably a good time to note what gamers likely realized upon the woman’s first line: She’s played by Ashley Johnson, who voiced Ellie in The Last of Us video game. You f-kin’ tell em, Ellie,” the woman says, crying as she cradles the infant. (Those little fingers and toes!) “Yeah, you tell ‘em. Mom cuts the umbilical cord and picks up her daughter. She manages to get a hold of it once more and kill the infected, and she’s so focused on survival that she doesn’t realize until after that she’s given birth - the baby is crying on the floor - or that she’s been bitten on the thigh. ![]() She has a knife in her hand - you’ll recognize it as Ellie’s knife - but when a contraction comes on strong, she drops the weapon. Winning Time Season 2 Sets August Release Date - Watch Teaser Trailer ![]()
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